As an example of what is possible with Perfect Layers, I decided to try some manual exposure blending using two images at different exposure levels. Below are the two images I brought into Perfect Layers:
I stacked these two images with the overexposed shot on top, and set my blend mode to Normal. From there, I used a layer mask to selectively paint where I wanted the underexposed shot to show through. I varied the opacity of my brush through the frame to get the blend that I wanted. One of the great things about Perfect Layers is that it allows you to easily view your mask in different ways to see exactly where you’ve brushed in or out. Once I had the image where I wanted, I did a quick bit of styling in PhotoTools and I was done. Below is the final image:
I can see myself using Perfect Layers for quick exposure blending and layer masking. The ability to edit layers right in Lightroom is amazing, and I can’t wait to really put this plugin through its paces.
You can download a 30-day trial of Perfect Layers right now, or pick up the full version for the introductory price of $99.95 (a $30 savings). Give it a go…you won’t regret it.
]]>Yesterday, I went for my first short photowalk after my eye surgery, and since my car is still parked across the city, I was limited to wherever my feet could carry me. I’ve said this before, but I live in a relatively new development, so there are still a number of large construction vehicles around almost all the time. I had walked the dog earlier in the day and saw a couple of these construction giants that I wanted to capture when I went back out with the camera…unfortunately, two of the three I wanted to shoot were in use by the time I returned. So…with only one of my locations still available, I tried to make the best of it and ended up with a few usable brackets from the one construction vehicle….the first is below:
]]>It’s always nice to try something new when processing an image…gets the old brain working in different ways. As much as I love online tutorials for learning how to do things like this in Photoshop, I’ve always thought the real learning comes from trying a few things, screwing up, and then trying again (which I did plenty of last night). I’m happy with how my first textured shot came out, but I’m open to some constructive criticism as well…please let me know what you think!
]]>I took the below shot with my Sigma 10-20mm and purposely got nice and close to the building and shot at 10mm to get the interesting distorted perspective. I also don’t usually place a subject right in the middle of the frame but sometimes the symmetry of a shot can be much more powerful than a traditional “rule of thirds” composition.
]]>The details: 4 exposure HDR tonemapped in Photomatix 3, Lightroom for color, contrast, clarity, sharpening, Photoshop for layer masking, Noiseware for noise control.
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for color, contrast, clarity, spot removal, Photoshop for layer masking and a bit of smudging, Noiseware for noise control.
]]>The details: 5 exposure HDR tonemapped in Photomatix, layer masking in Photoshop, contrast, clarity, sharpening in Lightroom, noise reduction in Noiseware.
]]>The details: 3 exposure HDR (-2,0,+2) tonemapped in Photomatix, adjustments in Lightroom and Photoshop, noise reduction using Noiseware.
After my time at Lake Louise I hit Johnston Canyon on the way back to Calgary and made the hike all the way to the upper falls despite the semi-treacherous trail (still covered with ice in some sections). I’ve gone through a couple of those photos and it looks as though I’ve got some keepers. I’ll be sharing those sometime in the future.
]]>This is a 3 exposure HDR (-2,0,+2) tonemapped in Photomatix, original sky from the -2 exposure masked in using Photoshop, a bit of noise reduction in Photoshop, and some final tweaks in Lightroom. I left a bit of a blue cast because I liked the contrast between the blue stone and the fiery sunset. I’m still working on my HDR processing, so let me know what you think!
]]>This is a 3 exposure HDR image (-2,0,+2) tonemapped in Photomatix, original sky masked in from the -2 exposure with some final tweaks in Lightroom. Any critiques are more than welcome!
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