As an example of what is possible with Perfect Layers, I decided to try some manual exposure blending using two images at different exposure levels. Below are the two images I brought into Perfect Layers:
I stacked these two images with the overexposed shot on top, and set my blend mode to Normal. From there, I used a layer mask to selectively paint where I wanted the underexposed shot to show through. I varied the opacity of my brush through the frame to get the blend that I wanted. One of the great things about Perfect Layers is that it allows you to easily view your mask in different ways to see exactly where you’ve brushed in or out. Once I had the image where I wanted, I did a quick bit of styling in PhotoTools and I was done. Below is the final image:
I can see myself using Perfect Layers for quick exposure blending and layer masking. The ability to edit layers right in Lightroom is amazing, and I can’t wait to really put this plugin through its paces.
You can download a 30-day trial of Perfect Layers right now, or pick up the full version for the introductory price of $99.95 (a $30 savings). Give it a go…you won’t regret it.
]]>Yesterday, I went for my first short photowalk after my eye surgery, and since my car is still parked across the city, I was limited to wherever my feet could carry me. I’ve said this before, but I live in a relatively new development, so there are still a number of large construction vehicles around almost all the time. I had walked the dog earlier in the day and saw a couple of these construction giants that I wanted to capture when I went back out with the camera…unfortunately, two of the three I wanted to shoot were in use by the time I returned. So…with only one of my locations still available, I tried to make the best of it and ended up with a few usable brackets from the one construction vehicle….the first is below:
]]>I took the below shot with my Sigma 10-20mm and purposely got nice and close to the building and shot at 10mm to get the interesting distorted perspective. I also don’t usually place a subject right in the middle of the frame but sometimes the symmetry of a shot can be much more powerful than a traditional “rule of thirds” composition.
]]>This was taken in February of this year and was on one of my very first photowalks with my (at the time) brand new Sigma 10-20mm lens and was also among the first batch of bracketed images I took with the intent of processing in HDR. I had kinda given up on this image after the original processing was done but recently went back to it. I converted it to black & white, masked in the original sky and I’m now much happier with the final product. So, don’t be afraid to go back through some of your old brackets…you never know what you’ll find!
]]>One of the places I knew I wanted to hit was the train tracks on the west side of Windermere Lake. There’s always at least one train just hanging out there and I’ve always found trains a little bit fascinating even though I know next to nothing about them. I shoot most of my HDR with a wide angle lens and try to take in as much of a scene as possible so this detail shot of a train is a bit of a departure from the norm for me. I have no idea if the wheels on a train are actually called a ‘wheelset’ or if the number painted on these wheels has any kind of significance, but I thought it would make a cool title anyway.
]]>To be fair, this was only one of two times I was told I couldn’t use my tripod in any of the hotels in Vegas, and the vast majority were more than welcome to accommodate me. But it’s those few bad experiences that stick with you. So…if any of you have some good tricks for getting in under the radar or how to approach security about permission to shoot I’m all ears!
One very early morning (4 AM) while staying at the MGM Grand, I went downstairs and explored as much of the hotel as I could before it got too busy. Eventually I made my way down a long corridor past the pool and ended up in the conference center which is absolutely enormous! We definitely don’t have hotels with conference centers like that here in Calgary. After snapping a few brackets in the main lobby area I made my way upstairs to where they have some of the smaller conference rooms…and stumbled into this really cool lounge type area. Anyway, enough rambling. Here’s the shot:
]]>I live in a relatively new suburb so there is still plenty of open space and construction going on and I knew just where I could find a good vantage point to see this storm…it was just luck that there was some tall wavy grass growing on the hill that happened to make for a perfect foreground. I thought about masking in one of the originals to keep the grass looking a bit more stationary, but I kinda like the flowing feel that the windswept grass gives. Hope you enjoy!
The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for catalogue, color, contrast, Noiseware for noise control.
]]>The details: 4 exposure HDR tonemapped in Photomatix 3, Lightroom for color, contrast, clarity, sharpening, Photoshop for layer masking, Noiseware for noise control.
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for color, contrast, clarity, Noiseware for noise control.
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