Including an interesting element into the foreground of a photograph can add a great bit of punch to a shot, and is sometimes overlooked. I was lucky to spot this huge orange rock and be able to incorporate it into my frame. Next time you’re out shooting, look for something interesting to place in the foreground of your frame to add some extra interest.
]]>I hope all my American friends remember and enjoy the Memorial Day holiday.
]]>This shot is from my trip to Italy in May of 2009. We spent most of our time in the Tuscan region, but did manage to get to Rome, Venice and Florence for at least a day each. Our time in Venice was probably one of the highlights of the trip. It is such a unique city, and there are almost boundless photo opportunities. The shot below is a very simple composition, but the empty bottle of Heineken on the window sill adds just enough to the frame to make it interesting for me.
Since I wasn’t shooting brackets for HDR during my time in Italy, this is just a single image tonemapped in Photomatix to really bring out the texture. I then brought it into onOne’s Phototools for a few global adjustments and some selective warming and cooling. I finished it off with some selective application of the Midnight filter in Nik Color Efex Pro.
]]>I almost kept walking right past this scene on my way to the older, grungier parts of this alleyway, but I stopped myself to compose this shot. Those numbered grey loading bays and the contrasting yellow pillars were just begging to be bracketed
]]>Although I already processed the keepers from that trip last year, I’ve been having some fun going back through them and running a few of the single RAW files through Photomatix to see what kind of results I can get. I’m hoping that this exercise is fruitful enough for me to keep posting some of my re-processed Italy shots over the coming months. Last night I worked on a couple and I’m quite happy with the details I was able to pull out in this shot of St. Peter’s Basilica in Rome.
]]>This is a 3 exposure HDR (-2,0,+2) tonemapped in Photomatix, original sky from the -2 exposure masked in using Photoshop, a bit of noise reduction in Photoshop, and some final tweaks in Lightroom. I left a bit of a blue cast because I liked the contrast between the blue stone and the fiery sunset. I’m still working on my HDR processing, so let me know what you think!
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