Hay bales are such a common sight along these country roads and I’ve always felt they make for great photographic subjects. I took a number of shots at the same location you’ll see below, but it wasn’t until I trespassed a bit more than I would have liked and got nice and close to this bale that I was really happy with the composition. Having one bale as a prominent foreground element was key.
]]>To be fair, this was only one of two times I was told I couldn’t use my tripod in any of the hotels in Vegas, and the vast majority were more than welcome to accommodate me. But it’s those few bad experiences that stick with you. So…if any of you have some good tricks for getting in under the radar or how to approach security about permission to shoot I’m all ears!
One very early morning (4 AM) while staying at the MGM Grand, I went downstairs and explored as much of the hotel as I could before it got too busy. Eventually I made my way down a long corridor past the pool and ended up in the conference center which is absolutely enormous! We definitely don’t have hotels with conference centers like that here in Calgary. After snapping a few brackets in the main lobby area I made my way upstairs to where they have some of the smaller conference rooms…and stumbled into this really cool lounge type area. Anyway, enough rambling. Here’s the shot:
]]>I live in a relatively new suburb so there is still plenty of open space and construction going on and I knew just where I could find a good vantage point to see this storm…it was just luck that there was some tall wavy grass growing on the hill that happened to make for a perfect foreground. I thought about masking in one of the originals to keep the grass looking a bit more stationary, but I kinda like the flowing feel that the windswept grass gives. Hope you enjoy!
The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for catalogue, color, contrast, Noiseware for noise control.
]]>The details: 3 handheld exposure HDR tonemapped in Photomatix, Lightroom for color, contrast, Noiseware for noise control.
]]>The details: 4 exposure HDR tonemapped in Photomatix 3, Lightroom for color, contrast, clarity, sharpening, Photoshop for layer masking, Noiseware for noise control.
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for color, contrast, clarity, Noiseware for noise control.
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for catalogue, color, contrast, clarity, Noiseware for noise control.
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for contrast and clarity, Noiseware for noise reduction.
Oh, I have to throw out a hat tip to Chelsey over at Wishing Star Photography who brought this cool piece of art to my attention. Thanks Chelsey!
]]>The details: 3 exposure HDR tonemapped in Photomatix, Lightroom for color, contrast, clarity, spot removal, Photoshop for layer masking and a bit of smudging, Noiseware for noise control.
]]>The details: 5 exposure HDR tonemapped in Photomatix, layer masking in Photoshop, contrast, clarity, sharpening in Lightroom, noise reduction in Noiseware.
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